Famous Historical Glass Engravers You Need To Know
Glass engravers have been highly knowledgeable craftsmen and artists for thousands of years. The 1700s were particularly noteworthy for their accomplishments and popularity.


As an example, this lead glass cup demonstrates how etching integrated style trends like Chinese-style motifs into European glass. It additionally highlights just how the ability of a great engraver can generate illusory deepness and visual appearance.

Dominik Biemann
In the first quarter of the 19th century the standard refinery region of north Bohemia was the only location where ignorant mythological and allegorical scenes inscribed on glass were still in fashion. The cup pictured right here was etched by Dominik Biemann, who concentrated on tiny pictures on glass and is considered one of the most important engravers of his time.

He was the child of a glassworker in Nové Svet and the brother of Franz Pohl, another leading engraver of the period. His work is characterised by a play of light and darkness, which is specifically noticeable on this cup presenting the etching of stags in forest. He was likewise known for his work on porcelain. He passed away in 1857. The MAK Museum in Vienna is home to a large collection of his works.

August Bohm
A noteworthy Nurnberg engraver of the late 17th century, Bohm collaborated with delicacy and a feeling of calligraphy. He inscribed minute landscapes and engravings with bold formal scrollwork. His work is a forerunner to the neo-renaissance style that was to dominate Bohemian and various other European glass in the 1880s and beyond.

Bohm embraced a sculptural feeling in both relief and intaglio engraving. He displayed his mastery of the latter in the finely crosshatched chiaroscuro (stalking) results in this footed cup and cut cover, which shows Alexander the Great at the Fight of Granicus River (334 BC) after a paint by Charles Le Brun. Despite his considerable skill, he never accomplished the fame and ton of money he sought. He died in penury. His partner was Theresia Dittrich.

Carl Gunther
Despite his vigorous work, Carl Gunther was an easygoing male who enjoyed spending quality time with friends and family. He loved his daily routine of checking out the Collinsville Elder Facility to take pleasure in lunch with his buddies, and these moments of sociability supplied him with a much needed reprieve from his requiring career.

The 1830s saw engraved heirloom items something rather remarkable occur to glass-- it came to be vibrant. Engravers from Meistersdorf and Steinschonau produced highly coloured glass, a taste referred to as Biedermeier, to fulfill the need of Europe's country-house classes.

The Flammarion engraving has actually become an icon of this new preference and has actually shown up in books devoted to science as well as those discovering necromancy. It is likewise found in numerous gallery collections. It is believed to be the only making it through example of its kind.

Maurice Marinot
Maurice Marinot (1882-1960) started his job as a fauvist painter, yet ended up being amazed with glassmaking in 1911 when going to the Viard brothers' glassworks in Bar-sur-Seine. They offered him a bench and showed him enamelling and glass blowing, which he grasped with supreme skill. He created his own techniques, making use of gold flecks and exploiting the bubbles and various other natural flaws of the product.

His method was to treat the glass as a creature and he was among the first 20th century glassworkers to make use of weight, mass, and the visual effect of all-natural defects as visual aspects in his works. The event demonstrates the significant effect that Marinot had on modern-day glass production. Regrettably, the Allied battle of Troyes in 1944 damaged his workshop and thousands of drawings and paintings.

Edward Michel
In the early 1800s Joshua presented a style that resembled the Venetian glass of the period. He used a strategy called diamond factor engraving, which entails scraping lines right into the surface of the glass with a hard steel implement.

He additionally developed the initial threading device. This invention permitted the application of long, spirally wound routes of color (called gilding) on the text of the glass, a vital attribute of the glass in the Venetian style.

The late 19th century brought brand-new style concepts to the table. Frederick Kny and William Fritsche both worked at Thomas Webb & Sons, a British firm that specialized in high quality crystal glass and speciality coloured glass. Their job reflected a preference for classic or mythological topics.